/nostalgia.

#paintings

#2125

/woman erased.

#paintings

#2123

/rooms at my place full of paintings.

"I imagine an exhibition of my own at the centre Pompidou: at the entrance you'll read 'The Promises of the Past'. two things, (1) all art is dangerous (2) I’m struggling to find an answer to the question 'what is the point of art if nobody sees it?' all artists tend to be self-deprecating futilitarians, because we’ve grown up in a culture in which art doesn’t matter except, occasionally, as a high-end investment. (p.s. I no longer date artists as they are already in a relationship)."

#letters

#2111

/"in utero" (140x135cm, unfinished).
 

#paintings

#2104

/"even in your arms I know I would never get it right", a fast portrait on paper.
/the knife.

#letters

#2100

/la mentira, after vallottot.
/monogamy is a form of capitalism, ownership.
/too tired and too late.

#paintings

#2097

/re: two months ago, painting "the woman and her lover".
/it all feels so shakespearean.
/SIZE MATTERS.

#letters

#2096

/epitaph, catalog entry.

#paintings

#2093

/sin hueso.
/the shower.

#paintings

#2090

/my own grave.

#paintings

#2086

/apostles IV.

#paintings

#2085

/deny it.

#paintings

#2081

/minotaure, woman crucified.

#paintings

#2080

/venus de milo.
/woman painted and then erased.

#paintings

#2076

/man anxious about man, in terror of man.
/man who cannot lift his heavy feet.
/Nietzsche dreamed of a future: "instead of the judge and the oppressor, the creator."

#paintings

#2075

/comatose.
/prostitute in high heels heading to the factory (catalog).
/maldades Ph.D.

#paintings

#2072

/artifact #4: the conversation I don't love you anymore (over napkin).

#paintings

#2069

/artifacts #1, 2 and 3, catalog.

#paintings

#2068

/artifact #2: couple going home to their color TV (over napkin).

#paintings

#2065

/a most peculiar painting.
/portrait of penelope.

#paintings

#2062